In performance, the artists under discussion sometimes use queering and cripping against one another; they “queer the crip” and “crip the queer.” That is, queering critiques and expands notions of what it means to be crippled, and cripping critiques and expands notions of what it means to be queer.

Yet they offer no certain guarantees, since just one more all-out war could possibly so weaken the complex and sensitive foreshoot of evolution which is human society that the process might not be able to recover and go on to realize its unimaginable potentialities.

Prior Albert. Son! you relapse into revenge, If you regret your enemy’s bloodless death. Siegendorf. His death was fathomlessly deep in blood.

Roxanne, you don't have to put on your red light.