In that repressive atmosphere, the “baby farmer”—usually a woman—was prepared to help an unwed mother through her time of trial . . . but only for a price.
These are the mere translation of the social facts we have hypotheticated into the language of costume.
[…]The truth of all this hullaballoo was that Rigby had a sly pension which, by an inevitable association of ideas, he always connected with the maintenance of an Aristocracy.
Romanticism fumes against what it sees as the puritanism and pharisaicalness of mainstream culture, while ultimately remaining blind to the fact that it's entirely dependent upon embodying the very thing it ridicules.
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