The noise of her steps, light as they were, attracted the stranger's notice, who, turning round and letting her mantle fall as she did so, showed a tall and stately figure, dressed in what appeared to be some conventual costume.
‘The suspicious circumstances which invest him, will be found to tally much better with my hypothesis of romantic busy-bodyism, than with the reasoner's suggestion of guilt.’
The only fair comparison would be between him and that one of his contemporaries who endeavored to anachronize himself, so to speak, and to subject his art, so far as might be, to the laws of classical composition.
Heav'n has no Rage, like Love to Hatred turn'd, / Nor Hell a Fury, like a Woman ſcorn'd.
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