It is not clear on what basis the names were chosen, but a systematic anthroponymous linkage across generations and between affines seemed likely.

And Jacob was wroth, and chode with Laban: and Jacob answered and said to Laban, What is my trespass? what is my sin, that thou hast so hotly pursued after me?

In The Farm, Miró uses some aspects of Romanesque style. For example, the size of various details does not accord with nature and perspective, but rather with Miró's feeling about their importance.

They did a double switch after the eighth so that Jones could bat second in the ninth.