This passage is forte, then there's a diminuendo to mezzo piano.

Mazzucchelli particularly has it in for Willy Ilium, a snooty, priapic little choreographer whose work consists of postmodern appropriation and recontextualization.

Would you say it was fair to describe these salesmen that were in your crews as dynamiters, or suede shoe salesmen?

And the stepfriend Tori-Taube. The perfect alibi as friend, as friend's wife.