But their depictions of Perseus are remarkably different and demonstrate the ambiguity of Medusa that was seeping into Victorian iconography. In later, Roman versions of the myth, for example Ovid's Metamorphoses, Perseus slays the sea monster with his sword instead of using Medusa’s head to petrify the monster.

If we turn from these abortions of tragedy to the metrical farces which may fairly be said to contain the germ or embryo of English comedy (a form of dramatic art which certainly owes nothing to the father of our tragic stage), we find far more of hope and promise in the broad free sketches of the flagellant head master of Eton and the bibulous Bishop of Bath and Wells; […]

[…] ’tis hallowed ground; No Maid seeks here her strayed Cow, or Sheep, Fairies, and fawns, and satyrs do it keep:

I was in the Esoteric Order of Dagon, which is an amateur press association dedicated to Lovecraft and weird fiction.