“So how'm I not good?”
She [the Albemarle] has a bold entrance, and clean run.
...this need to recover earlier modes of journeying emerges differently from the works of the dominant French-language travel writers - and this can be seen in particular in contributions to their 1992 manifesto, Pour une littérature voyageuse, which are marked by a sense of self- investiture as well as by attempts to elaborate aristocratic modes of travel in which the individual sensibility of a sovereign self eclipses the effects of tourism and mass travel; there is a search for micro- deserts of untainted otherness open to the solitary traveller alone, a sense of what Jean-Didier Urbain calls the 'agoraphilia' that privileges distant journeys to the detriment of travels closer to hand.
The constant questioning Superhero Girl gets from those claiming she's not a “real” superhero (questioning her superhero brother, Kevin, never gets) could also be seen as a metaphor for the ongoing “fake geek girl” elitist controversy […]
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