If a driver cut me off, for example, I'd ride his bumper and make obscene gestures at him, along with cursing and swearing as loud as I could, with the window down.
He did not knovv vvhat it vvas to vvrangle on indifferent points, to triumph in the ſuperiority of his underſtanding, or to be ſupercilious on the ſide of truth.
Willson transformed Roy Fitzgerald into Rock Hudson and secured him an apprenticeship. . . . [H]e was able to establish his film personality: steady, likable, a man among men.
Opening night for the new production had an electricity unlike other openings.
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