I know a girl who's fun to roll around with, but can't have a conversation.

A couple of suited and booted business types appeared by my side, tossing peanuts into their mouths and gawking at the screens as though they had never seen a television before. But they couldn't be from the TV station or any of the production companies that made the shows, because they were far too formally dressed.

Our conversation helps her to construct a link between refugeeship and femininity: an example of the research process facilitating narrators' transformation.

This is the face (or resemblance) of the servant of Ormuzd, the god (or the divine) Sapor, king of the kings of Irân and Turân (Persia and Scythia) of the race of the gods, son of the servant of Ormuzd, the divine Artaxares, king of the kings of Irân, of the race of the gods; grandson of the divine Papek the king.