This fact complicates the problem of estimating future oil supplies, especially at prices substantially above preembargo levels.

The application of staccato chords has to be strictly limited in unacoustic places, but in resonant buildings, staccato chords, used judiciously, have a very fine effect, as they evoke the echoes from the building in a more effective way than a long sustained chord, however promptly released.

The walls, strongly built of stones, are still breast-high, and the marks of the smearers’ fingers on the plaster inside plainly visible.

[…] And I don't think we can sugarcoat both the human toll that is unfolding in Ukraine, but also how it is reordering the international architecture in ways that we haven't seen in decades.