What must be recognized is the nature of the source material in which one sees a theological/ideological backreading of history.

An artist friend of mine recalls three examples in his own joblife where nervous apprehension was involved.

Afara is the common Nigerian name and a British Standard name for the commercial timber.

At the same time it often resorts to free indirect speech rather than dialogue, frequently using an autoethnographic point of view, suggesting a more personalized mode of shared ethnographic documentation.