The whole of this process seems to be typical or prefigurative of the grand atonement to be made for the sins of the whole world by Jesus Christ

It is ubiquitous throughout the occasional pieces and intimist work. The body, real, factual, everyday, with a familiarity characteristic of TV or of home movies, but suddenly, also, the body dramatized to the extreme, prey to creative anguish, experiencing its specific fiction, its daily sacrifice, the crucifixion of image and sound.

[…] as much as diasporites (such as the Bundists and the folkists), socialists as much as capitalists, Marxists as much as utopianists. Whatever all these “guides of the Jewish perplexed” derided and despised, he accepted, […]

Let's carve him a dish fit for the gods