Unsurprisingly, Perry puts her best foot forward on opener “Never Really Over,” a song that not only maintains a catchy, hummable refrain, but also ironically doubles as a sort of mission statement for the artist.

Mienda, with cash flowing like Sosa / And a Latin chick transporting in her chocha

Eventually he asked them to “go somewhere else with your negative, hateful, blackhearted and useless souls.”

In fact, I think one of the main reasons people write and read Treksmut (tm), is that the show very rarely shows these extremely attractive and appealing characters in romantic situations or settings, except for one-episode flings, which are usually conveniently forgotten by the next show, although this is refreshingly rare on DS9 and Voyager.