“Papillons” follows Schumann’s Opus 1 (the “Abegg Variations”) and serves as prototype for the fanciful pianistic storytelling and the fragmentary necklacelike format that would occupy his early work.
Following the meeting, we all had a chat.
When you meet the girl who wouldn't et cetera you will tell her that your are slumming, visiting your own six A.M. Lower East Side of the soul on a lark, stepping nimbly between the piles of garbage to the gay marimba rhythms in your head.
I'll take you up and show you your room, Rebecca, Miss Miranda said. "Shut the mosquito nettin' door tight behind you, so 's to keep the flies out; it ain't flytime yet, but I want you to start right; […]
I'll take you up and show you your room, Rebecca,
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