Hadley [the sculptor] could afford to let his hewings be rough where the monarchical extremities were concerned, as these were to be covered by the raiment of state.
His shop had been an odditorium, its crowding walls filled to the ceiling with unfathomable, strangely charismatic products like Bay Rum and styptic pencils that would seal up cuts […].
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What I liked was the modesty that underlies Jacobson's antiformalism.
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