a feverous disposition of the year
[H]er teeth were small, bespeaking a selfish disposition: indeed the whole of her features were what her husband would sometimes call scorney, particularly in their latter days during their little fracas […] .
When the whole and the parts are seen at once, as mutually producing and explaining each other, as unity in multeity, there results shapeliness—forma formosa.
Whiles we shut the gate upon one wooer, another knocks at the door.
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