Their workday of love was one of ferryings and crossings from shore to shore, island to island, of perceptions into death […]
They climbed over fallen and moss-grown logs; they slushed through shallow water; they crawled on their hands and knees under embankments and rocks, and at last, at Handsome's order, they stepped into a boat of some kind which the latter pushed away from the bank with a pole.
This tree is dying back.
'I made a huge list of Italian directors and all the pseudonyms they hide behind,' says 'Eric' – who now seems to be undermining his own dismissal of Eurohorror fans by revealing his own cultural currency of detailed and intimate knowledge of the filmmakers.
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