The crybully, who has weaponized his coveted status as a victim, was first sighted in the mid-2000s.

The Streetcleaners surround him, as the Titans around Prometheus, and ritually beat him to death. La Madrecita, Madonnalike, is present at the execution.

On returning to Chicago, he approached Archipenko, who was living in Chicago at the time, and arranged to receive lessons in exchange for casting some of Archipenko’s terra-cotta figures. Mr. Rosenthal, who worked in a semirealistic figurative style, did his first commission, “A Nubian Slave,” for the Elgin Watch Company building at the 1939 World’s Fair.

The tracks of his father's foot were gone. Where they had been were now long, watercloudy scoriations resembling the sporadic course of a Lilliputian mowing machine. ~William Faulkner