The many tear-jerkers deal with finality, with death and the end of love, with a stoicism pregnant with feeling.
Early on the evening of May 20 the only people at the new konaki were Mihalis, some officers of the Folklore Society, and a few older women.
[…] sometimes she dejects her eyes in a seeming civility; and many mistake in her a cunning for a modest look.
The children were practising multiplication tables.
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