Her name was Merle, and to her name she always said she owed the fact that Gilbert Vanborough ever looked at her.
Thus, Gazzamania conceals a complex sub-text about three things: gender; the white male body; and the British working class (and its relations with other classes).
Wait! That's not an eating apple.
The mob in the meantime holloaed out, No Corn Bill! While they were proceeding in this manner, a cry was raised that the Piccadilly butchers were coming.
No Corn Bill!
the Piccadilly butchers were coming.
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