Two short pitches up a chimney-crack are followed by a traverse right to the centre of the buttress.

The fallen guillotine blade is replaced with a call to awareness that, as we have seen, divagates from Szpiner's Ayez pitié des enfants.

[P]rovoked by the hesitancy of a Pennsylvania friend to display his artistic talent, [Ned] Cartledge created this work. […] Cartledge accused him of hiding his light under a bushel and has inscribed the back of his panel: Modesty is for those without talent.

‘I have yet to learn that my verses and my art causerie are of second-rate quality,’ said Mrs. Thundleford with acerbity.