The harlequinade ceases for the moment, and a two-character tragedy begins with the shepherds Thyrsis and Corydon, whose names derive from ancient pastoral poetry.

The next work is racking or tentering the cloth […] and this is performed by setting it in a frame, which we call tenters, such as are to be seen in many fields about London, wherein (it having a windless at one end) it is first strained to its length, then afterwards to its breadth and parallelism […]

Cary Grant imparts his ineffable charm, Kennedy (with metal hand) provides comic brutality, while Hepburn is elegantly fraught.

I went over my notes in preparation for the exam.