[E]ven though there are announcers, they largely remain quiet, letting us hear all the table talk that goes on during and in between hands.

The mouth with its bright, shiny grimace exposes a stubby row of teeth, from left to right growing stubbier and stubbier, with more and more cavities.

They all as glad, as birdes of ioyous Pryme […]

The whole movement gives the soloist an opportunity for hair-raising virtuosity, from rapid arpeggios and spectral harmonics to languid parallel sixths, double-stopped trills and, in the trio, a stratospheric cantabile, again on harmonics.