[…] the remaining quotations, chiefly from English poetry, interested me only slightly more. They were the elegiac favourites of a closeted Romantic.
Elegant brick and stone buildings, with iron and glass canopies and decorative wooden scalloping and fencing—all evidencing care on the part of the architect to produce a pleasing, well-planned building—were submerged beneath a profusion of ill-conceived additions and camouflaged by vulgar paint schemes; and the original conception was lost.
The amassers of fortunes seem divided into two opposite classes, lean, penurious-looking mortals, or jolly fellows who are determined to get possession of, because they want to enjoy the good things of the world.
A glob of pea green toadling spit splattered against my upraised arm, burning like holy hell.
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