The large number of good candidates made selection difficult.

Wallace Berman’s “Aleph,” made and frequently revised between 1956 and 1966, uses shaky newsreel and home-movie footage obscured by paint, scratches and Letraset symbols applied directly to the celluloid to evoke a more hardcore experience, one that Mr. Brakhage described as “the only true envisionment of the ’60s I know.”

Did you test the software package to ensure completeness?

Although several subsidiary subjects have been touched upon, the central problem throughout has been to explain the rapid creation of a centralized, absolute state after the Meiji Restoration (1868), and the growth of an industrial economy under conditions of state patronage and control.