Breath vocalized, i.e., vibrated and undulated.

Michelangelo was a very ambidextrous artist, producing sculptures and frescoes with equal ability.

Together, these response patterns are consistent with the general theoretical prediction that low control appraisal triggers a hypotonus of the musculature (which could result in jaw dropping or lips parting, [12 ]), whereas high control appraisal increases the muscular tonus.

[…] which, to his order of mind, must have seemed little short of crime.