The Lord shall send upon thee cursing, vexation, and rebuke.

In an elaborately built, indoor San Francisco, passengers ride cable cars through quiet, hilly streets.

The two countries were allies in World War I.

Moments of potential transcendence, such as an afternoon constitutional through an expressionistic wonderland recalling the Fuji Velvia vividness of What Dreams May Come, ring false in light of this project's mercenary origins.