[I]n the firſt of Henry the ſixth, the Company of Armorers in London were incorporated by the name of the fraternite of Saint George: which queſtionleſſe reflected on him, though not as Patron ſpecially of this Realme of England, yet as the tutelarie Saint of militarie men. Elſe to what purpose ſhould the Armorers, whoſe trade is onely deſtinate to the uſe of Souldiers, be made a Corporation by his name, and under his protection.

And theſe [including Edward Gibbon] preſent us with the ſkeleton of hiſtory, not merely clothed with muſcles, animated with life, and bearing the bloom of health upon its cheek; but, inſtead of carrying a higher fluſh of health upon its cheek, and ſhewing a brighter beam of life in its eyes, rubbed with Spaniſh wool, painted with French fard, and exhibiting the fire of falſehood and wantonneſs in its eyes.

Dr. Caius, the Frenchman in the play, and Evans the Welshman, Gallia et Guallia, succeed pretty well in their efforts to murder the language.

And farther back still in the evolutionary process we may trace … the divinisation of four-footed animals and birds and snakes and trees and the like[.]