A quick watch of Stanley Kubrick's Clockwork Orange sends this reality home fast. Amoral, vacuous, cold-blooded, unsympathetic, and chillingly evil describe only parts of the story.
[…] the landlady entering at this very time with news that his wife had been delivered of a dead child, he yielded to the most furious ebullitions; while, in accordance with him, all howled and shrieked, and bellowed and uproared, with double vigor.
A soprano, her voice was birdsweet and passionate, and she possessed her own lustrous reputation.
The push-button, entrance-exit signalling console incorporated in the operating floor of the yard control tower governs entry to and egress from the yard, …
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