Drawing on our combined experiences with Irish traditional music and dance, we explore the dialectic between research and practice, insider and outsider, self and other, and ethnomusicology and its sister (or, more aptly, queer little brother) discipline of ethnochoreology.

No man having ever yet driven a saving bargain with this great trucker for souls.

[…] the sun was up, and blazing so fiercely that we were glad to cool ourselves in fancy, by talking over salmon-fishings in Scotland and New Brunswick, and wadings in icy streams […]

The best part is, of course, when he says “it’s time for love and unity” after flipping everyone off and shortly before telling them to suck “deez nuts.”