certes lord / so wel vs liketh yow / And al youre werk / and euere han doon / þat we / Ne koude nat vs self deuysen how / We myghte lyuen / in moore felicitee ….
The replies to the questionnaires are now all in.
We hear much of “stagecraft” nowadays, little of novelcraft. Yet I suppose technical dexterity — the choice of an appropriate and significant medium — is as vital to the novel as to the drama.
Bailouts from side doors are risky because the slipstream may carry a chutist into the plane's tail section.
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