The Gulnare was a fast sailer, built for a slaver originally[.]
Whyll he yett ſpeake there cam won from the rulers off the ſynagogis houſſe which ſayde to hym: Thy doughter is deed diſeaſe not the maſter.
Rimmer paused for no discernible reason, then yelled, equally inexplicably: 'Shut up!', wheeled round 180º, and appeared to be addressing a dartboard.
So complete was this illusion, claims [Eric] Lott, that many audience members, including Mark Twain's mother, believed they were seeing authentic, biologically black performers on New York stages. Of course, wench characters seem to especially test the bounds of authentic performance. Played by men, wenches were nonetheless read by audiences as beautiful women: … [E]xtant photographs and engravings of wench performers do not always represent them as blacked up, […] In antebellum minstrel shows, wench songs were most often sung about mulatto women rather than by them.
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