It was, by and large, an unexceptional presentation.
If, therefore, musical language seems to break up and even disperse into always more parceled forms, it is because the analysis truly becomes creative, just as variation is no longer a procedure for developing a theme it would be a matter of enriching, but a principle of disenvelopment through which the totality already virtually present in the choice and in the preparatory work of the series becomes free of itself by giving itself over to a veritably torturing questions -- a question that, through the obstinate return of the identical, as again Adorno makes clear, seeks to engender an unceasing renewal.
The men tie up their dogs, retrieve what’s left of the lion’s kill, and sprinkle it with a generic form of Furadan, a cheap, fast-acting pesticide that’s readily available under the table.
Rachmaninov's closing gestures represent an array of structural and expressive responses to this 'endful-ness'.
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