[…] there was an ashiness about his clothes and his hair never settled and his eye had a look of tragic alarm when he wasn’t actually sleeping.

Jean-Luc Godard’s radiant, ambiguous, serenely perverse “Contempt,” 45 this year, is being revived again, in startling color and elegant, ribbony CinemaScope, for the second time in just over a decade, and it’s beginning to look like one of those movies we can’t do without for very long: a classic.

This global configuration of economic and class relations within the conglomerate structure of the Mondragon cooperatives is in deep tension with its cooperativist principles.

to play to the crowd