Spenser has an intimate feel for Vergilian intratextuality, the mirrorings and repetitions that create patterns of likeness and difference, reaching over the whole text and linking images, motifs, and persons.

Phonetically, in Malay, initial /t/ and /p/ are never aspirated; only /p, b, t, d, k, g/ occur as final stops and are usually unreleased and unaspirated[.]

[T]he ſhipmen deemed that they drew neere to ſome countrey: And ſounded, and found it twentie fathoms: and when they had gone a little further, they ſounded againe, and found it fifteene fathoms.

The student guitar club died off after a few years.