In 1986, Philip Brophy noted in Screen magazine that the horror film defied critics' attempts to deal with it as other than plotless carnography, gore, and effects for an increasingly brutalized mass audience.

To facilitate and speed construction, Charlie Pankow chose to slipform not only the service and elevator core but also the stairwells -- a more complex operation than the slipforming of the American Cement Building.

Webster wants me to caretake his place while they're away.

Only they would that we should remember the poor; the same which I also was forward to do.