Some students have a heck-care attitude towards their studies.

This graffiti is especially useful for introducing us to the gesturalness of signs and language because it is the full unification of the expressive gesture of the embodied writer and the impersonal verbal meaning of the terms used.

They are horizontal, twilightish, untheatrical spaces, and pulse-slowing.

Our entrance was attended with the usual ceremony, now familiar to the reader: the warmen danced, shot, and shouted, a rabble of adults, youths and boys crowded upon us, the fair sex lulliloo'd with vigor[.]