This is the age of the Cry-Bully, a hideous hybrid of victim and victor, weeper and walloper. They are everywhere, these duplicit Pushmi-Pullyus of the personal and the political
The first is that the present work in no sense represents a relapse toward the old environmentalism which believed it could find the causes of culture in environment.
At rest, the car is impressive, but when it's moving, the sight is astounding.
The allegorical tropes paranomasia and syllepsis, or rather, their compositional practice juxtology, situates Langland's cognitive allegory in the context of the poet's social and political obsession - ...
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