It is interesting that the sentences that Davidson uses in his arguments for events are all about genuine flesh and blood events: butterings of toast, explosions of boilers, raisings of arms, kickings of Shem and Sean and the like.
After the 2008 thriller Lorna’s Silence, the brothers’ underappreciated foray into Liège’s criminal underworld, they return to Seraing with their beautiful new movie.
[…] the doors She dashed to as she entered, crying out On Laius, long since dead, calling to mind His fore-begotten offspring, by whose hands He, she said, died, and left to his own seed Its mother's most unnatural bearing-bed.
[I]t seems a pity that they should not form a volume in one of the neat series of Jane Austen's novels now published, as to a real Austenite they contain much that is valuable, and are full of characteristic touches.
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