The hotel charged stratospheric prices for a simple cooked breakfast.
If there are a large number of funds, we'll use a multichoice list box, and if there are three or fewer funds, we'll use a set of check boxes.
[…]I found myself frowning at the painting. Two figures were seated on the lawn, quite like statues. Modern dress, so there was no intent to antiquize.
Indeed, in what follows, we entertain several tenuous interpretations of the film, ones that display prominent aspects of postcolonial theory and perhaps even address some sort of posttruth in their microscopic readings but ones that, through excess essentially, mock such applications of postcolonial theory, as they question the warping power of theory in general.
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