The fantasy of auto-sodomy is of great psychological interest, as both an acceptance of passive homosexual rape and a simultaneous defiance of it, since the actor is at once both bugger and buggeree.

The Song of the Nibelungen, and the Lament.

For 70 respondents (40 per cent), transmasculinity is unequivocally and qualitatively different from cismasculinity.

[…] but this sore night Hath trifled former knowings.