While Ellington voiced praise and respect for Benny Goodman and some white bandleaders, he gently chastised others for profiting from “musical-simplification to the 'nth' degree” and “reach[ing] a pleasing musical middle.”
His trenchant criticisms of the Church's repression […] include a discussion of the considerable 1938 success of the fledgling NODL in getting magazines removed from various points of sale.
She has been quite penny-dreadfulish-sword-and-mask mysterious lately; she goes about with her lips pursed up and a sparkle in her eye.
Unfortunately, the inflated pronouncements of “arkeologists,” as they are called, have proven to be neither accurate nor trustworthy.
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