The “aunt” in this production is devastatingly unauntly, as alarming a specimen as one could wish for.

In the distribution of the other roles between the deuteragonist and the tritagonist, the same criteria must have applied. When two characters had an important part in a tragedy and could not be played by a single protagonist, the second was played by the deuteragonist. […] The tritagonist, even more than the deuteragonist, had to play several secondary roles.

In other words, she was a serial wardrobe malfunctioner (If there is such a term. And even if there isn't, now that I've invented it, there is).

Pastorella […] Was by the Captaine all this while defended, / Who, minding more her safety then himselfe, / His target alwayes over her pretended[…].