Prussian blue:
Sunning himself on the board steps, I saw for the first time Mr. Farquhar Fenelon Cooke.[…]A silver snaffle on a heavy leather watch guard which connected the pockets of his corduroy waistcoat, together with a huge gold stirrup in his Ascot tie, sufficiently proclaimed his tastes.[…]But withal there was a perceptible acumen about the man which was puzzling in the extreme.
William Longespee wears exactly the same mail pieces, including the cervelliere. The knight at Chaddesley Corbett even wears the same combination of fillet around the coif and cervelliere underneath (Figure 32).
Thus, in Flavia and Her Artists (1905), for example, a fiction of consonance in diminuendo, the French subtext states a set of harmonies (the young American returned from France) and cacophonies (the supercilious French art critic, Roux) shedding light on the main text with its own consonances of intergenerationsl friendship, marital loyalty, artistic pleasure, and joyful lesbianism.
Flavia and Her Artists
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