Adam […] Aſtonied ſtood and Blank,

The house had a projecting window, where the poet [Percy Bysshe Shelley] loved to sit with book in hand, and catch, according to his custom, the maximum of sunlight granted by a chary English summer.

For Theodor Adorno and his colleagues at the Frankfurt School who coined the term, culture industry was an oxymoron, intended to set up a critical contrast between the exploitative, repetitive mode of industrial mass production under capitalism and the associations of transformative power and aesthetico-moral transcendence that the concept of culture carried in the 1940s, when it still meant high culture.

tenodesis