Projection of an automaton almost always results in nondeterminism.

The opening theme of Beethoven's Fifth Symphony is, perhaps, the most recognizable in all of European art music.

[T]he swashbuckling modern-day fortune hunter Nathan Drake treks from Istanbul to Borneo to the highest peaks of the Himalayas in search of the lost treasures of the mystical Shambhala.

This monstrous parody of divine compassion . . . performs, in the presence of moving picture cameras, a grotesque parody upon the laying on of hands and the healing of the sick.