It is an altogether chancy, combative, and transgressive story worthy of the risky city-in-spite-of-itself—a city built on constant invention and reinvention, one that has woven its way into the dreamlife of the rest of America and beyond: a city that boasts of Mardi Gras and the cultural interactions and conflicts that traverse almost three centuries.

Maybe the screenwriters thought the original stories were too hard to tell in movie form, but I suspect a clash between the Dickian worldview and the Holly-worldview is the real culprit. The Dickian worldview wouldn't work in a Hollywood movie (meaning less box office revenue). […] People don't like their belief in free will questioned.

Where are the twinks anyway? They usually have the decency to provide one or two decorative twinks… Jesus, who needs to waste a night staring at these tired old Gucci queens.

Laws regarding indebtedness and indenture.