We dumped the coal onto the fireplace.

In his refusal to allow tropes to transluce into meaning, Donne locates spiritual significance not in the disembodied and abstract sphere but in the body itself.

Although entirely subjectivist in its final stages, however, the creativity symbolism still musters a good deal of dynamicism, and on occasion it draws together the personal leitmotivs of the Gikonyo-Mumbi relationship in some eloquent moments of expressivity.

... they did not prepare someone for the smell-of-an-oily-rag budgets and ratings-driven world of Australian commercial television.