Sandy: Right, right, well I'll just open the wardrobe. Oh, here, look—his wardrobe. Ha! Julian: Ha! Oh what a naff lot! Sandy: It is a bit cod isn't it.
This wasn’t so problematic at first: exhaustion actually suits Christopher Wheeldon’s “Klavier,” a dark exploration of the moment when opulence overripens to decadence.
Active in cities from LA and Portland to Boston and Minneapolis, YIMBYism lives in the center of a Venn diagram of urban ills: the intertwined issues of rising rent, scarce opportunity, and increasingly long commutes.
Stephens used the largest weapon at his disposal—his New York Times column—to imply that the Jewish professor who mildly teased him online was the equivalent of a Nazi propagandist.
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