Quizzes for review

In its lean arrangements, her band conjured both traditions and possibilities: the tambourine and strummed cavaquinho (miniature guitar) of samba for “Na Gangorra,” a loungey acid-jazz pulse and hints of reggae for “Vento No Canavial,” African-tinged funk in the Vinicius de Moraes-Baden Powell song “Consolaçã” and in the French songwriter Camille Dalmais’s “1, 2, 3.”

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